Although there hasn’t been any confusion over rooming at Shiz, and I haven’t yet seen Wicked in London, this week did bring a lot of excitement with thoughts of Momsie, Popsicle, and other family things.
Last Sunday (March 15) was Mothers’ Day in the UK. After I finished my slight panic that I had somehow missed the whole month of April I learned that, although marketed quite similarly, this “Mothering Sunday”  is not associated with the US version of the holiday. The priest at St Etheldreda’s Parish cleared this up during his homily and also connected this to the 21st C rendition of giving special thanks to our earthly mums as well as Mary, Mother of Jesus.
We happened upon the Latin mass (far more common here in London than it is back home in the US) complete with choir and string quartet. Music included Eberlin’s Missa brevis in a, Palestrina’s Laudate Dominum, and (holiday appropriate) Johann Michael Haydn’s Ave Maria. As my mom likes to say, this is what I imagine heaven will sound like. 🙂
On Wednesday evening, after heading to Westminster Cathedral for daily mass, my cousin and I realized we were again celebrating a special feast– St Joseph’s Day. Although this might make us sound like rather clueless Catholics, this was actually a vigil feast for St Joseph whose feast day is celebrated on March 19. We were again accompanied by beautiful music (this time organ + all male choir) and this time reflected on the gift of dads.
Although the mass ran longer than anticipated, we still had enough time to make the English Chamber Orchestra concert at Cadogen Hall (where I attended Joshua Bell’s performance this fall). This opened with Beethoven’s Leonora, featured an Italian soloist (Gloria Campaner) on Schumann’s piano concerto, and closed with Mendelssohn’s Scottish symphony. I don’t know that I’ve ever had such an excellent view of the stage– I could trace the musician’s eye contact and even follow the music on the last stand of cellists. Such a treat!
Following along with the last stand of cellists 🙂
I also had a few good reminders of the significance of grandparents in recent weeks:
(a) Pope Francis’ address when I was in Rome: “We continue our reflection on grandparents, considering the value and importance of their role in the family. I do so by placing myself in their shoes, because I too belong to this age group. When I was in the Philippines, the Filipino people greeted me saying “Lolo Kiko” — meaning Grandpa Francis — “Lolo Kiko”, they said! The first important thing to stress: it is true that society tends to discard us, but the Lord definitely does not!… (Continue reading at the Vatican website.)
(b) The recent Social Science, Health, and Medicine seminar lecture on “Grandparenting in Europe and the Health Impacts of Caring for Grandchildren” presented by KCL’s Professor Karen Glaser (who coincidentally has ties to University of Michigan!) There were a number of really interesting (and quite nuanced) findings discussed. ie: Caring for grandchildren on a ‘part-time’ basis (~15 hr / wk) has positive effects for grandparents’ health and well-being. The research has the potential to shape policy for work /retirement / compensation plans for the ever-growing older population. Since I’m looking at this with younger eyes, I’m curious to see if this could impact decisions around maternity / paternity leave as well as suggested work hours for working mums and dads. (Read more on the Grandparents Plus website.)
(c) Letter writing with my own grandparents. 🙂
The Valentine letter I received. Included an interesting WSJ article about med schools. 🙂
Sometimes I’m pretty dense, so with just these occurrences this post may not have developed like this. But alas, I also saw Matilda, a special West End treat that I’ve been saving for viewing with my cousin Cecilia and her housemate Hailey. (So glad the rush tickets worked out– we were the last few in queue to receive the special £5 student rate!!)
Cici & Hailey
I hadn’t refreshed myself on Matilda’s plot since I watched the movie and read the book in grade school, but even if I would have, the theatre version deviates a bit from this. For example opening number “Miracle” features the soloists in the children’s Chorus each singing how “my mummy says I’m a miracle / my daddy says I’m a special little guy” regardless of whether they are acting sweet as angels or throwing tantrums at the moment. This is juxtaposed with Matilda’s mother, shown at the hospital inquiring why she has become 9 months “fat” and whether or not it can be fixed before her dancing competition that evening. The doctor has the ‘joy’ (responsibility) of informing her of the situation:
You’re nine months pregnant!
Antibiotics, or . . . Oh, my good Lord! What about the Bi-Annual International Amateur Salsa and Ballroom Dancing Championships?
A baby, Mrs Wormwood. A child. The most precious gift the natural world can bestow upon us has been handed to you. A brand new human being! A life. A person. A wonderful new person is about to come into your life to bring love, and magic, and happiness, and wonder!
Oh, bloody hell!
Every life I bring into this world
Restores my faith in human kind.
Each newborn life a canvas yet unpainted,
This still, unbroken skin,
This uncorrupted mind.
Ev-er-y life is unbelievably unlikely.
The chances of existence almost infinitely small.
The most common thing in life is life . . .
And yet every single life,
Every new life
Is a miracle!
This is the worst day of my life! 
The audience watched with wide-eyed silence. No nervous or obligatory laughter. In fact, the applause at the end of the scene (where Matilda first enters to sing that her parents say she is “a lousy little worm”, “a bore”, “a good case for population control”…) was even a little hesitant as if the mums & dads were questioning whether or not it was a good idea to bring their little tykes to the theatre.
One might argue that this is theatre at it’s best! Inviting the audience into the world on stage!
Perhaps. But it would also make an good topic for a Bioethics lecture or dissertation: how are topics relevant in bioethics (ie: reproduction, pregnancy, child-birth) represented in popular culture or fictional literature? How do these representations impact our understanding of bioethics in ‘real life’? Some suggest that the provide us with warnings (ie: when I mentioned the Island when thinking about Maternal Spindle Transfer.) But we also hear suggestions that we are rather un-impacted by these sources: ‘those are clearly science fiction’ or ‘creating a Gattaca-esque world is not on our radar’, etc. I already have my final papers in motion for the rest of the year, but this might fuel some free-time reading.
PS: In Christian traditions, today is Palm Sunday– the beginning of Holy Week, the holiest time in the Church calendar. It’s admittedly an odd thought that I’ll be apart from my family during this time, but celebrating in London presents a unique opportunity beginning with sung mass this evening at St Mary’s in Chelsea. Furthermore, I feel incredibly blessed to be welcoming my boyfriend Ben Brelje to London on Maundy Thursday and then greeting my sister Gretchen and dear friend Joan Campau right after the Octave of Easter is finished. Very much looking forward to playing hostess, but this also means that I’ll be taking a break from writing for a bit. To keep the blog going in the mean time, I’ll try to prep some exclusively picture posts from earlier adventures that I haven’t been able to publish yet. So as Grandma Berkemeier taught us, to be continued… xx
 One of my favorite musicals! But since I’ve seen it before in the States, it isn’t as high on my list as other performances.
 If you’re unfamiliar with this 4th Sunday of Lent holiday like I was, you can read a quick history on Wikipedia.
 I removed some parts of the script for reading purposes. Feel free to check out the whole thing HERE.
Featured Image: Stumbled upon Geraldine Street on a chilly walk back from Vauxhall. This is a toast to the lovely Geraldines in my life: Grandma (Geri) Gaydos as well as the coolest kid sister (Gigi) anyone could ask for. 🙂 Love you both!